Today, I went on a search for the ideal tattoo. I wanted something stunning, easy and with deep non secular meaning. I hadn’t a clue what I was looking for. Then I tripped over Chinese calligraphy . I was taken back by the words brush stroked eloquently and masterfully on the paper. They chatted to me. Without even knowing what they meant, I could tell each word held a world of thought within it’s own. As I went through the page, the calligraphy got only better, making it tough which one I should decide to eternalize on my skin. I was so entranced with the Chinese calligraphy letters, I impatiently pushed right on through to discover how they were put together as words. Rather more gorgeous. All had a deep meaning applicable to the character of one.
Chinese calligraphy is a traditional art form stemming back to virtually three thousand years back. This style of writing is said to be abstract art. Many masters throughout Chinese history have left behind their own unique interpretation of the Chinese characters. It was Tu Mang nonetheless, who related it all along with form identification and style. He established names for the techniques used to describe the words. For instance, a “carefree” style has an unfixed or unknown direction. On the opposite end, a meticulously executed form insists on careful execution and thought behind the work. Confusing is to utilise your inspiration. There are 120 existing expressions used for Chinese calligraphy , many born by great masters.
This classy tranquil art form called Chinese calligraphy is a greek word meaning lovely writing and is seen everywhere from art studios to eateries, and tattoo shops. Which takes me back to the quest for the ideal Chinese word. Once I had the words I wanted to immortalize on my back, after learning so much more about Chinese calligraphy, it occurred to me I would have to choose a form as well. What type of brush strokes would best represent the meaning of the words I had selected? I could go with a more classic, traditional style used in ancient times or even something called the “grass” style, looking more whimsical to me. I hadn’t realized the depth of expression concerned not merely in searching in a tattoo, but the particular quintessence, character, and layers on layers of intention linked with this lovely art.
Beyond the style, there are phrases, and the writing itself; traditional vertical or modern horizontal. I could choose quotes, four personality idioms, or maybe seven personality extractions from famous poems. I could get my name or my children’s names interpreted to Chinese or frame the words with other Asian art. The more I searched on Chinese calligraphy , the more infatuated I became of the work, yet I wasn’t getting nearer to selecting a tattoo because, quite truthfully, each word or quotation impressed a feeling in me. There were simply too many I identified with on a deeper, more non secular level.